分离批判 Critique de la séparation
电影资料
导演：居伊·德波
编剧：居伊·德波
主演：居伊·德波 Caroline Rittener
影片分类：短片
制片国家/地区：法国
语言/原声：法语
首映时间：
片长：18分钟
制片人：--
其他名称：Critique of Separation
IMDb码：tt0481821
电影介绍
《分离批判》是居伊·德波自编自自编x160660a自演的法国短自编x1606606电影，该片于1961年自编x1606609品，片长约18分钟，采用黑白影像与法语对白呈现。影片由居伊·德波与卡洛琳·瑞特纳共同主演，安德烈·姆鲁加尔斯基担任摄影，配乐部分采用弗朗索瓦·库普兰的原创音乐作品。
该片是居伊·德波自编x1606601情境主义国际期间拍摄的两部短片之一，另一部为《关于在短时间内的某几个自编x1606604的经过》（1959）。影片画面由时尚杂志、新闻影片、漫画、报纸、照片及德波自拍片段拼贴而成，音画之间缺乏互文性。其混合印刷制品、经典电影片段和私人照片的创作手法，被视为对情境主义理论框架的复杂呈现，电影本身并非理论著作的图解，而是对理论写作的筛选与超越。
电影剧情
“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to dissolve what is called its subject matter.” In this fascinating, seminal anti-film, Guy Debord articulates in full flesh his situationist manifesto, superimposing subtitles and a documentary-style commentary on a catalog of newsreel footage, book covers, rephotographed photographs, views of Paris’ neighborhoods, and seemingly candid footage of him and his friends in wandering between cafes and the street. Whereas the conventions of narrative fictional film would oblige us to separate the filmmaker Debord from both the voice of the film’s commentary and from the “character” played by Debord, a man in his late twenties pursuing a young girl who appears to be no more than seventeen. (源自: TIDF 2024)
电影评分（豆瓣）
电影得分：7.9（全网521人参与打分）
观众评价：百分之28.9的观众觉得本片超好看，觉得非常好看的有38.1%，31.4%的人觉得还不错，1.2%说本片还凑合。
观影计划：有801位朋友表示看过本电影，还有1,323位网友观看本片的想法（计划）。
