狼的嘴 La bocca del lupo

纪录片介绍

《狼的嘴》是意大利^{自编x25400a}演皮耶特罗·马切罗2009年执导的纪录^{自编x254006}，入围第60届柏林国际电影节并获泰迪熊奖最佳纪录片。影片以热那亚为背景，灵感源于导演父亲对城市的回忆，通过纪实与档案影像交织的手法，重构个体记忆与城市变迁的关联。

影片跟随刚^{自编x254009}狱的主^{自编x254004}公恩佐重返热那亚的轨迹展开，^{自编x254003自编x254001}变形的街巷间游走，与跨性别伴侣玛丽重逢，既是私人情感的重建，也是对社会纽带断裂的隐喻。导演融合16毫米胶片拍摄的当代场景与历史影像资料，运用歌^{自编x254000}配乐和声画错位手法，在虚实拼贴中呈现时间对空间的重塑。通过边缘人群视角与LGBT议题的嵌入，影片将城市肌理升华为对集体记忆的影像志书写。

纪录片剧情

Enzo returns to Genoa after a lengthy absence. He crosses the city in search of places he remembers from before but they have been inexorably changed by passing time. He finds Mary waiting for him at the small house in the ghetto of the old city. His life-long companion, she has been waiting for Enzo to return from the prison where he was serving time.

“I didn’t know Genoa well before making the film. My only memories of the city were stories that my father used to tell me. He was a sailor from southern Italy and he would make port calls there. Throughout his entire youth Genoa was his ideal city. He would always tell me how beautiful it was, about the places where he would eat tripe and about the sky. I saw a different Genoa that is full of blind alleys, where – like most of the cities in the North – the social fabric is disappearing and memory is impressed in the stones of Sottoripa. I tried to show the present situation around me, while the nostalgia for the twentieth century is represented by archive footage, clips from amateur and professional movies, made by the people of Genoa a long time ago.”