du soleil, que ça existe

A deferred desire that warms but does not burn permeates the slow pace of this tender confession in 16 mm format. A poetic dialogue in two languages, recited by a single voice, forms another layer of the image. Inspired by Marguerite Duras＇ novella The Malady of Death, the film transforms thoughts of the sun, the body, love, and finitude into the rhythmic concealment and revelation of a landscape in which details appear only thanks to the flickering of solarization—a technique that involves a brief flash of light during film development.