Natsu no uta

Folk poetry collector Ōtani Masae visits the residents of the mountain village of Ubuyama in southern Japan and collects songs that are over a thousand years old. However, continuity is only an illusion and ancient cultural heritage is subject to fragmentary memory, rewriting and new contexts. Ballads, confessions and prayers are thus not a chronicle of old times, but a liberating manifesto against the patriarchal tradition that for centuries confined women to the solitude of their homes. Lyrically layered on 16mm filmstrip, with the intimacy of a family video and the poetics of a visual essay, the images explore the fragile power of ephemeral detail and the cathartic effect of communication and sharing.