Gamodi

In Tbilisi, Georgia, an apartment tower sits in a liminal state, its construction halted at a critical juncture by the global pandemic. In its shadowy alcoves, Viktor (Matt Shally), a legendary drag queen, and Tarzan (Maqzime Rauch), a teenage drifter, have embraced their collective purgatorial languor, subsisting on brief instances of intimacy. While intermittent television reports apprise them of developments from the outside world, it’s increasingly unclear whether they’re still inhabiting this plane of existence.

The first solo directorial effort from multihyphenate Felix Kalmenson (of the acclaimed Pejvak artist collective), Gamodi employs stunning chiaroscuro, exacting compositions, and intriguing sound design to conjure a legitimately dreamlike milieu. Practically every pristine shot in Kalmenson’s poetic fable invites admiration and rewards careful examination. Equally informed by the material and spiritual, Gamodi casts an enthralling spell as it unfurls, and lingers in the subconscious long after it draws to its haunting close.