Segudang Wajah Para Penantang Masa Depan

During the leadership of President Soeharto (1966-1998) under the New Order government, Indonesian Cinema brought forth important names that are still being discussed until now. It was a period in which censorship operated firmly to regulating and maintaining the narrative that may or may not appear on the screen. That was an era when the opposition could only be represented through the perspective of the New Order regime itself, to conserve a danger of latent–a spectral enemy. However, can cinema represent the faith of its own era? Can cinema speak about what should not be expressed or has not been expressed?

Mostly the preordination of these films spread wildly in cyberspace, travelled through one duplicate to another. This film is about examination and at the same time giving new contexts and interpretations in the films whose quality are now increasingly blurry and faded, affected by the algorithm of inter-device migration, which their condition continues to be degraded by the times and increasingly difficult to trace.