Das Geräusch rascher Erlösung

^{自编x2169601}一次轻浮的邂逅之后，一个年轻^{自编x2169604}发现很难与^{自编x2169603}希望、他所渴望的对象重聚。电话仍无人接听，他只剩下一杯饮料，他的床和战斗中士兵的图像来填补他的内心空白。同时，想象、现实和梦想之间的界限消失了，接着是一场电影式的象棋游戏，在游戏中，同性恋者的身份与父权主义的暴力相抗衡。

Wieland Speck的第一部作品中，有很多内容是关于他作为全景策展人数十年来的工作的：将勇气和想象力理解为一个政治机会，为异性世界中的替代品开发一个空间。作为一名^{自编x216960c}主人，扎西·德·帕里斯和库尔特·布纳扮演一名军官，给这部电影带来了强烈的讽刺意味。

After a flirtatious encounter, a young man finds it difficult to organise the hoped-for reunion with the object of his desire. Calls remain unanswered and he is left with only a drink, his bed and images of soldiers in combat to fill his inner void. Meanwhile, the boundaries between imagination, reality and dream dissolve, and a cinematic chess game ensues in which queer identity is pitted against patriarchal violence.

One of Wieland Speck’s first works enshrines much of what would go on to inform his decades-long work as Panorama curator: to understand courage and imagination as a political opportunity to develop a space for alternatives in a heterosexualised world. Zazie de Paris as a hostess and Kurt Hübner in the role of an officer provide the film with its sharp sense of irony.